Iugulatus
Satanic
Pride
End Of Time Records 2012
Obscure
and cult black metal descends upon the earth once again from the pagan
vastlands of Poland. A morbid aura permeates the riffs that issue
forth from my speakers as the title-track opens the album. Fat
riffs with quick bursts of melodic speed shift towards a hammering
passage of midtempo variances. There is a cult-ish feel to the
music, like a tighter version of early Hellenic black metal. Bone
hard vocals and upwards swings of guitar drive the later stages of the
song. Warped vocals and a brooding initial riff are washed away
by a frenzy of speed and hatred on Chaos Invocation. The guitars
buzz as they stream across muted melodic phrases before dropping into
more atmospheric midtempo segments. Entrancing riffs with healthy
doses of speed and muscular passages on Beware The Flame From Undun
summon comparisons to Cemetery's debut album. However these
references are washed away as an atmospheric period of meandering
guitars and a hint of synth dance like a woman caught in a trance,
gentle, sultry swaying, but with a morbid intent. Once the vocals
begin I hear shades of old Samael between the eruptions of aggression.
A haunting melody overtakes the song before once again collapsing
into a morass of guitar soloing and atmospheric midtempo riffs.
Although I am sure some will disagree, but for some reason the
opening riff on Black Song Of Necromancy reminds me of Tiamat from
their Astral Sleep period. Of course once the violence and
aggression kicks in, these references are submerged. However this
riff pattern continues to rise and fall as the song continues so that
feeling is ever present in my mind. Iugulatus' new album (I say
"new" because this was just released in 2012 but was recorded in
2010) is a ritual of well composed blackened death that exhales
the putrid air of the dark arts. It has a morbid atmosphere
without being too underproduced while still retaining enough of a rough
edge to corrupt the souls of even the most devout of underground
devotees.