Vetter
Vetterkult
Demonhood Productions 2012
Norway's
Vetter takes black metal and sees it from a slightly angle than most of
their peers. And because of this, their songwriting is slightly
askew. They manage to take traditional black metal and twist
it to their own demented ends. A subtle and eerie intro breaks
open into bombastic, horror inducing horns. Then evil riffs and
sharp noises crest through the early stages of Et Folk Av Karrig Jord.
The songwriting serves to unsettle the listener and leave them
frightened and mentally disheveled as violent blasts and lumbering
riffs create an undulating flow to the track. The song finally
crests with sawing speed and collapses onto ambient noise. Huge
walls of warbling distortion and ropey bass frolic like a troll in the
freezing Nordic landscape on Brennoffer. Mystical and organic
synth create a beautiful and spiritual world on Slatten. As a
stark contrast, Brattefoss is a whirlwind of hypnotic destruction.
The riffs have such a buzzing sound to them they almost become
mechanical. The riffs are cold and lifeless, in a good way.
It is stark and barren rock in the middle of winter for the
song's first segment. Then the track downshifts into a bounding
echoing riff that is suffocating in its emotionless repetition.
For the song's final 2 minutes a traditional doom passage emerges.
Gamal Reinlender takes in a completely different direction
with a solitary mouthharp, twanging in isolation. Drawing us even
further afield is the epic folk of Peters Vise which could have been
brought straight out of a Norwegian fairy tale. Guitars and synth
are injected into the track for a slightly more metallic texture to the
song. Bordering on drone is the hulking, mezmerizing riffs of the
title track. Walls of shimmering distortion crush the listener
while the song still retains a black metal core. And that is
microcosm for Vetter as a whole, even though the music branches off in
varying directions there is a black metal heart beating at the album's
core. Vetterkult is an album that takes Norwegian black metal and
turns it on its ear, yet still remains, at its innermost depths, a
bastion of blasphemous and hateful art.