V:28
Violution
Vendlus Records 2007
V:28 return and with their 3rd album, Violution the trilogy is now complete.
The darkened and apocalyptic future that exists within the soundscapes created
by these industrial death metallers has grown bleaker yet more powerful and
fully realized. I think with Violution, V:28 have finally been able to
bring all their artistic visions to a fruition in a manner which they had been
unable to previously. For example on The Absolute some stellar clean
vocals clamber their way from beneath the throbbing and brooding programmed
beats and mournful guitars. This adds a new dimension to V:28's sound
previously unexplored. And so goes the rest of the album. New angles
and sounds spring to life from the scorched earth. Some of the fastest
material V:28 have recorded appears on the opening of Shut it Down.
Whereas Pattern of the Weak is more midtempo and finds V:28 using the trilling
guitar rhythms and pounding beats that their previous albums introduced us to as
their trademark style. No song on this album is a weak spot. They
are all strong in their own right and shine like nebulous pulsars in deep space.
However Desert Generator has to be my favorite track as it chugs along
alternating rhythms like a warmachine in battle while subtle keyboards create a
mood of despair and raise up monuments of hopelessness within a landscape devoid
of life. But as soon as I make a bold statement like that, Can You See the
Light Now? usurps that exalted position of album favorite with its stop and
start guitars and wailing leads. Many famous musicians guest on
Violution like Garm of Ulver, Mike VanPortfleet of Lycia, and Ghost of GGFH.
The only problem that I have is that sometimes the samples of the spoken voices
are too low in the mix and it makes it hard to hear what is being said.
V:28 have finally blossomed into everything their previous albums have promised.
And I am eager to discern from them whether or not this is the end for V:28.
If it is I will be very sad as V:28's trio of albums have been a set of bright
spots within the ever colder and more barren landscape of the musical
underground. Without V:28 the underground truly will be "choking on black
liquid death."